Monday, 19 September 2016
To say that this album has had its fair share of turmoil is an understatement, but as per the quote below things are all the better for the pain endured and the end result is definitely worth the wait. Now I loved the first H!H! album, in fact it was No.5 in my top 50 albums of 2012, and I can see this version of the album making a similar if not higher place this year. Some may know what I mean about this version, others not, having listened to both I can safely say this version is more in line with the first albums style with amazing (and numerous) melodic female (mostly) vocals and not as shouty as the ‘other’ version and that’s all I’m going to say on the matter considering enough has already been said including by the band on the excellent ‘Loud And Fucking Clear’.
It’s H!H!’s use of female vocals that gives it its individuality that sets it apart from the norm, and from what I can tell nearly every song has a different singer, which in some cases can spell disaster. We’ve all seen those solo albums by a guitarist where they’ve roped in a different singer for each song, yeah some songs are good but it doesn’t feel like an album, more a compilation, H!H!T! feels like an album and that’s where it makes a difference (did we expect anything less from Ginger?). Kicking off with ‘All Around The World’ this is actually in my opinion the weakest track on the record and it’s still a rush of massive harmonies and singalong choruses so if it only gets better from here then you’re in for a treat. ‘This Ain’t Love’ is up next with huge melodies courtesy of Emily Lee and when I say huge melodies I mean one of the best vocal performances I’ve ever heard, in a just world this would be a hit single.
‘Glass Of Champagne’ a re-worked version of Sailors excellent single is a duet treat between Sonic Boom Six’s Laila and drummer Ai, elsewhere we have the almost Motörheadesque guitar on ‘Let’s Get Emotional’ the outstanding previously mentioned ‘Loud And Fucking Clear’ which is probably my favourite track if just for the English weather baiting chorus and a Japanese version of ‘Body Parts’ sung by bassist ‘Toshi’. If this wasn’t enough album closer ‘Perfect’ with vocals provided by guitarist The Rev, which shows that this lad needs a new band or solo album of his own, he’s like a young Ginger and I can see him going on to bigger things based on this performance.
The quote mentioned above from ‘Body Of Evidence’ starring Madonna:
Madonna “When I was growing up we had a strawberry patch in our backyard. So did this family down the road. I used to sneak in their yard and steal their strawberries. It wasn't easy. The stone walls were high and I'd scrape my knees as I climbed over. On the other side were wild rose bushes. The thorns would dig into my legs and cut my thighs as I lowered myself down”
William Dafoe “If you had what you wanted at home why did you sneak into their yard?
Madonna “Because -- somehow the fruit always tasted that much sweeter because of the pain it took to get to it.”
Terrible movie but worth watching with a box of Kleenex (smiley face with a wink/wank)
Sunday, 28 February 2016
1001 7" Records You Must Own No.59 The Cribs - You're Gonna Lose Us / I Was Her Man But I Done Her Wrong
Leave it to The Cribs to write a b-side that was so good they ended up re-recording it as a single, ‘You’re Gonna Lose Us’ is classic New Fellas era Cribs full of their usual wit and charm and shout along chorus that only just manages to hold it together without falling apart. On the flipside you get the equally amazing ‘I Was Her Man But I Done Her Wrong’ showcasing the bands softer side and reminiscent of the outstanding ‘It Was Only Love’ from the New Fellas album, beautiful stuff.
Saturday, 13 February 2016
Don’t get me wrong, there’s tons of great Beatles records but this is one of my favourites, of course you have the classic a-side which everyone should know and shame on you if you don’t but that’s not why I love this record so much it’s the flipside. ‘You Can’t Do That’ is a lost classic that should have been the first track, Lennon is superb on this one and full of jealous subdued rage showing that even the less well known songs were far superior to other bands making the charts in those days.
More sleaze rock, while they’ve not always been completely consistent Buckcherry can write some amazing songs when they’re on form and with their debut single they started out with a an ode to Cocaine not my thing but that doesn’t get in the way of it being a big bombastic track with a huge chorus and great melodies for anyone who misses the early Guns N Roses style. Backing this up is the amazing ‘Late Night In Voodoo’ which if it wasn’t a b-side would have been a highlight of the first album and would have made a great single in its own right, far too good to be relegated to obscurity, one day I’ll make a playlist of my favourite b-sides and this will make the cut easily.
Wednesday, 10 February 2016
Cover songs as singles can sometimes leave a bad taste in the mouth, if they’re too similar to the original they seem pointless, Backyard Babies don’t take this route, they amp the original up to 11 and bring in a certain Mr. Ginger Wildheart to make it even more worthwhile. Not dissing the original Faster Pussycat version but this has so much more energy and power, backing this up with ‘Stars’ and ode to some of their favourite and not so favourite artists with the catchy chorus of “Shut Up You Fuck” you have another outstanding 7”.
Sunday, 7 February 2016
1001 7" Records You Must Own No.52 At The Drive-In - One Armed Scissor / Pattern Against User / Incetardis
Having got into At The Drive-In via their mini-album ‘Vaya’ I was so blown away by their chaotic unique take on punkrock that I couldn’t wait to hear more, luckily in their short existence they were extremely prolific and I didn’t have to wait long. ‘One Armed Scissor’ takes what they’d done before and pushed it to higher levels of excellence, it’s chaotic yet holds enough melody to make it a highlight among the bands output. ‘Pattern Against User’ again let people know just how amazing the forthcoming album was going to be and to top it all off you get the exclusive ‘Incetardis’ showing that even the cuts that didn’t make the album pissed all over other bands at the time.
Thursday, 4 February 2016
As a statement of intent goes, the first outing from 3 Colours Red or ‘Three Colours Red’ as they went by on this release you couldn’t get a better introduction to a band. Once again released by the excellent Fierce Panda label when the needle hits the record you know you’re onto something special ‘This Is My Hollywood’ is classic 90’s rock that stands up against contemporaries like The Wildhearts, Kerbdog and Baby Chaos but with a more punky edge, full of vigour and melody and a great shout a-long chorus, I could listen to this on repeat for hours. Backed up by the even heavier ‘Hate Slick’ you have a perfect coupling that would pave way for an excellent debut album.